HEGEMONIC MASCULINITY IN ALADIN MOVIE (2019)

Penulis

  • Gigit Eklesia
  • Dion Tira Erlangga

Kata Kunci:

Aladdin, Antonio Gramsci, Hegemonic, Masculinity

Abstrak

Disney movies have been popular among children and teenagers since its first debut in 1937. This popularity was passed down from generations to generations until todays era. Aladdin is one of the Disney films which just released recently which the film was adabted from the another older Aladdin films from 1992. Since, it is believed that a literary work contains ideology, therefore this paper descriptively examines how hegemonic masculinity disseminated through American fantasy film Aladdin which released in 2019. Antonio Gramscis theory of hegemony as well as Raewyn Connells concept of hegemonic masculinity were employed in this study. The main male character Aladdin was used to demonstrate the kind of hegemonic masculinity preferred by the author. The finding found that in Aladdin film, the masculinity is disseminated as being kind, brave, skillful, protector, and clever or has very good intelligence. Moreover, in Aladdin film, power and wealth are described as something which are no longer neccesary as part of being masculine. In addition, gender equality seems to be promoted througout the story of Aladdin.

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2023-04-18